Wednesday, September 30, 2009

p1

We don’t talk about my sister anymore. She came out of my mother’s womb with a question on her tongue, but it was five years before we began to hear it. After that time the question banged and rattled so loudly that it was impossible to ignore. Those blank, dumb eyes staring out from deep cauldrons of unknown origin, the distorted movement of her branch-like limbs spinning like uncontrollable pinwheels. We were scared of her and she knew it.

With thick hair curling around her neck like caramel she moved through the house like a youthful Ophelia, gorgeous and demented in her world which she carried as a shield around her. It was like the wind, this world, we could sense its whispers, feel its bitterness roar through us, but never actually see it; we knew it was there but could never pin it down to anything corporeal in nature.

Sometimes, when the fireball inside ceased to burn, she would turn to me and smile, and for the briefest of moments the soul that lay trapped inside would tremble and wake and she became more human than any human being I have known before or since. These moments were eternal; yet, when I recall them I realise they could not have spanned more than the few seconds it took for her to stretch her muscles into a grin and flash her teeth like a freshly painted picket fence. Whirling away like a wild animal, her matted her aflame in the dying embers of afternoon light, I was left to wonder at what I had just encountered. Which was the real girl? Was this untamed thing just a shell, a trap in which something more delicate was caught, or were these exploding limbs a mere physical manifestation of the currents running wild in the limbic region somewhere beneath her thick crust of skull.

The Writer's Life

From Wrestling with the Angel: A Life of Janet Frame by Michael King

"It is the invisibility of the material - ideas, dreams, feelings - that arouses wonder. The inspiration is in the discoveries the writer makes on the imaginative journey - darkened landscapes are suddenly drenched with light, you know how the novel will go and where it will end." pp. 397-98

"Of course one doesn't write unless one is haunted. I don't write unless...and idea haunts me." p. 398

"She now relinquished her pursuit of Catholicism, 'because when it comes to the crunchy crunch I can't be ruled over by an institution...I haven't the energy to submit myself to that kind of house-cleaning...[The] only cleaning which suits me is in the institution of language, spoken, written, unspoken...'" p. 417

"I know my limitations. The only thing I have is a clear way of seeing something. However, my expression falls short. I'm constantly embarrassed by my small vocabulary of vital words." p. 452

"In writing the autobiographies, she said, her 'imagined treasures [had] faded in the light of this world, in their medium of language they have acquired imperfections [and] lost meaning that seemed, once, to shine from them and make your heart beat faster with the joy of discovery of the matched phrase or cadence, the clear insight. Take care. Your recent past surrounds you, has not yet been transformed. Do not remove yet what may be the foundation of a palace in Mirror City.'" p. 469

"Writing was and is so much a means of survival, and anything which interferes with that, which makes me waver, is, for me I feel, quite dangerous. I always feel I have to have this strong sense of being myself. It's not something you get and keep - and you have to keep renewing it." p. 472

Monday, September 28, 2009

Miaow!

Look at that: I'm just starting out and my boots are already dirty! How will this experiment in further compartmentalisation go? .....